Madhuraraja : The Black Hole Of Critique

That Madhuraraja debuted around the same time the world went abuzz with the news of the first ever photograph of a Black Hole is indeed one interesting instance of coincidence I can’t but help bring into perspective. Now, I do enjoy a good “mass” movie and I think I can tell when I see one too. These are movies, you are lectured every other weekend, where you go in just to have unhinged fun and not to dissect and deconstruct. Logic is not to be applied to anything you watch or listen to. Madhuraja goes one step ahead. In this age of automation and AI Madhuraja does all the work for you.  Like the black hole that’s at the centre of our galaxy it just pulls any and all reasoning into itself. It’s the event horizon for all criticisms. Madhuraja, to channel my inner Nolan, is the mass movie Vyshakh and Udayakrishna thinks you deserve, not the mass movie you need. Yes, I’am just venting, desperate to find justifications for having watched the film spending my hard earned money and time that cannot be reclaimed. But hey, then again I watched Vamanapuram Bus Route in theatres.

Madhuraraja opened to some impressively shot sequences, world class in fact I would say, gory too. Then the film went the Marvel way where it relied on self depreceating humor to take the tale forward and that’s when the movie worked the most. You had this impression that the film didn’t take itself too seriously and it was fun in parts too, though obviously Udayakrishna can’t do without crude jokes. Progressive thoughts, are they on sale on Flipkart? Nedumudi Venu and Vijayaraghavan reprise their roles in what are mere extended cameos, so does Siddique. Salimkumar is a pale shadow of himself and he tries real hard, it shows some it works some. But I wouldn’t be exaggerating if I said that it’s almost the lifeline of the film in the fist half. Then the film gets serious and you just can’t wait for it to end because you already know what’s going to happen on the screen from a mile away, despite Salimkumar screaming twist in every other scene. Aju Varghese looked like his character from another film. Anusree is good at screaming relentlessly. Jai of course is no Prithviraj but he did look good in the action sequences. So did Mammooty. The only trivial challenge the role threw at Mammooty was when he used his legendary voice modulation skills in an emotional scene where he speaks Pokkiriraja’s broken English which otherwise mostly serves for humor.

Now, I could go on about the inherent regressiveness in the writing but what’s the point ultimately. Udayakrishna picks up from where he left off in Masterpiece and takes potshots at recent attempts at female empowerment in the state and globally too. Vyshakh has the skillset and one wishes he would put it better use in the future. To be honest, I still haven’t figured out Pokkiriraja, and it’s success let alone this sequel to it. Mammooty playing a character that looked like Sarathkumar from one of his Nattamai outings of the late 90s , yeah that’s exactly what the audience and the actor needs today obviously, so be it I guess. This, imgaine, is what the makers are doing to the man who delivered Kottayam Kunjachan, Sangham, Rajamanikyam and yeah, Big B. 

 

 

 

 

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s