The Writer, The director or The Actor ? : A Whodunnit Of The Cinematic Kind.

Murali Gopy’s most successful work in terms of box office numbers, as a writer is also his weakest turn as one if you ask me. In Lucifer the narrative is functional yet downright bland and totally devoid of any real intrigue and complexity in comparison to what he achieved in films like Ee Adutha Kalathu, Left Right Left and Kammara Sambavam. But there’s one scene that caught my attention and I’m divided because I can’t quite figure out if it was Murali Gopy the writer, Prithviraj the director or Baiju the actor who is to be credited here.

At one point in the tale, the conspiracy theorist played by Indrajith is kidnapped by Baiju and his men and is locked up in a mental asylum. Indrajith kicks and screams when he is being pushed inside and that’s when you see Baiju displaying emotions that you wouldn’t ideally associate with a henchman. Baiju does this in around ten seconds or so and you hardly notice it. I for one did miss it in the theatre entirely and it was by pure chance that I happened to take note on Prime. The emotion conveyed is empathy I presume and the attention to detail here is quite impressive because at this juncture in the film you’re not sure who the bad guys are.

What intrigues me the most about the scene is if it was written to the dot by Murali Gopy or if it’s Prithviraj’s vision as a director at work or sheer improvisation by Baiju who is “staying in character”, so to speak. In any case, while taking nothing away from the writer and the director, the fact is that at the end of the day the onus is on the actor to deliver on screen and Baiju walks away with all the glory here. Malayalam Cinema’s search for the next great character actor, as they’re called in our part of the world could very well end here.

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